All ZURBARAN Francisco de 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
7087 Apostle St Andrew  Apostle St Andrew   1631 Oil on canvas, 146,7 x 61 cm Museum of Fine Arts, Budapest
7089 Defence of Cadiz against the English  Defence of Cadiz against the English   1634 Oil on canvas, 302 x 323 cm Museo del Prado, Madrid
90000 Gemaldezyklus fer das Hieronymitenkloster in Guadalup  Gemaldezyklus fer das Hieronymitenkloster in Guadalup   1639(1639) Medium oil on canvas cyf
7091 Meditation of St Francis  Meditation of St Francis   1632 Oil on canvas, 114 x 78 cm Shaw Collection, Buenos Aires
7085 St Agatha  St Agatha   1630-33 Oil on canvas Mus??e Fabre, Montpellier
20570 St Bonaventure at the Council of Lyons (mk05)  St Bonaventure at the Council of Lyons (mk05)   Canvas,98 1/2 x 88 1/2''(250 x 225 cm)Acquired in 1858 From the heirs of Marshal Soult
7094 St Hugo of Grenoble in the Carthusian Refectory  St Hugo of Grenoble in the Carthusian Refectory   c. 1633 Oil on canvas, 102 x 168 cm Museo de Bellas Artes, Seville
7090 St Margaret  St Margaret   c. 1631 Oil on canvas, 194 x 112 cm National Gallery, London
7086 St. Apolonia  St. Apolonia   Oil on canvas, 113 x 66 cm Mus??e du Louvre, Paris
19143 St. Francis  St. Francis   Pinakothek at Munich
7095 Still-life  Still-life   Oil on canvas, 46 x 84 cm Museo del Prado, Madrid
7096 Still-life with Lemons, Oranges and Rose  Still-life with Lemons, Oranges and Rose   1633 Oil on canvas, 60 x 107 cm Norton Simon Museum of Art, Pasadena
19142 The Adoration of the Shepherds  The Adoration of the Shepherds   1638-39, oil on canvas, Mus??e des Beaux-Arts at Grenoble, France
7093 The Apparition of Apostle St Peter to St Peter of Nolasco  The Apparition of Apostle St Peter to St Peter of Nolasco   1629 Oil on canvas, 179 x 223 cm Museo del Prado, Madrid
62298 The Holy Family  The Holy Family   121,5 x 97 cm Museum of Fine Arts, Budapest Whereas the names and works of Vel?zquez and Murillo were known and appreciated by European connoisseurs at a relatively early date, Zurbar?n was scarcely known outside Spain, and even now there are not very many of his works to be found in European galleries. Born in Fuente de Cantos, a small village in Estremadura, he studied in Seville and most of his work, almost exclusively commissions for monastic orders and churches, was done there. These circumstances determined his themes and the way he treated them: he painted hardly anything but religious subjects, mostly scenes from the lives of the saintly or monastic visionaries. His pictures are generally characterized by a severe structure, vigorous forms, rustic models and a close and detailed observation of nature. During the last years of his life Zurbar?n worked in Madrid where, mainly under the influence of Murillo, his interpretation became softer, his way of expression more lyrical and his colours lighter. The Holy Family (The Rest on the Flight to Egypt), signed and dated 1659, is a remarkable example of this late period: a simple composition of half-length figures with an intimate charm and emotionalism strongly reminiscent of Murillo
52701 The Immaculate Conception  The Immaculate Conception   1661 Oil on canvas, 136,5 x 102,5 cm
19141 The Lying-in-State of St. Bonaventura  The Lying-in-State of St. Bonaventura   1629,,Mus??e du Louvre, Paris
7092 The Vision of St Peter of Nolasco  The Vision of St Peter of Nolasco   1629 Oil on canvas, 179 x 223 cm Museo del Prado, Madrid
7097 Vision of Blessed Alonso Rodriguez  Vision of Blessed Alonso Rodriguez   Oil on canvas Museo de la Academia de San Fernando, Madrid
ZURBARAN Francisco de
Spanish Baroque Era Painter, 1598-1664 Spanish painter. He was apprenticed in 1614 to a painter in Sevilla (Seville), where he lived until 1658 when he moved to Madrid. He had a few royal commissions but remained throughout his life a provincial painter of religious pictures. His apostles, saints, and monks are painted with almost sculptural modeling, and his emphasis on the minutiae of their dress lends verisimilitude to their miracles, visions, and ecstasies. This distinctive combination of naturalism with religious sensibility conforms to the guidelines for Counter-Reformation artists outlined by the Council of Trent. He had numerous commissions from monasteries and churches throughout southern Spain, and many of his works were sent to Lima, Peru.



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